How Israel's female soldiers predicted the attacks; our Women's Gift Guide; how Beckham got Messi; and more.
|  | | December 2, 2023 | Issue N⁰ 229 | | | | You are not currently a paid member and have limited access to AIR MAIL. Subscribe today. | | Good Morning! | It's the weekend, and we have
delights from all over | Here's Just Some of
What We Have in This Issue
| | In the weeks before Hamas terrorists murdered 1,200 Israelis and kidnapped hundreds more, the I.D.F.'s largely female border guards sounded the alarm. Why didn't their all-male commanders listen? | | | Our Women's Gift Guide is here! Explore our cherry-picked selection for the woman who has everything, with recommendations from Lauren Hutton and Ina Garten | | | How did soccer legend David Beckham attract the even bigger soccer legend Lionel Messi to play for his fledgling Inter Miami team? As it turns out, by promising more than just money | | | Harry and Meghan's biographer of choice has released his latest assault on the royals, in which he concludes—news flash!—that H & M are wonderful and everyone else in the family is horrid | | | Now 100 years old, Alice Mason was once the city's real-estate agent to the elite, counting Henry Kissinger and Marilyn Monroe as friends. But all the while, she was hiding a major secret | | | Friday Night Lights author Buzz Bissinger marvels at the rise of sports agent Rich Paul, who went from selling drugs on the street to representing LeBron James and—rumor has it—marrying Adele | | | History—and Baz Luhrmann's recent biopic—has cast Colonel Tom Parker, Elvis Presley's larger-than-life manager, as a dyed-in-the-wool scoundrel. Actually, he was the opposite | | | The U.S. Justice Department's Task Force KleptoCapture was created to seize luxury super-yachts owned by Russian oligarchs and give the proceeds to Ukraine. It's not easy | | | A new book by Tim Alberta, the Atlantic writer and son of a Presbyterian minister, chronicles the terrifying rise of America's evangelical right. Matthew Teague reviews | | | For more than 50 years, Larry Fink turned journalistic photography into high art | | | | | | |
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